The world premiere of the opera 'Marnie', directed by Michael Mayer, was another special show to work on.
Marnie is based on the 1964 novel by Winston Graham and explores themes of freedom, forgiveness, and the past.
Marnie is based on the 1964 novel by Winston Graham and explores themes of freedom, forgiveness, and the past.
Working on a contemporary opera set in the 1960s was refreshingly different in style to many other operas and musicals.
As the Fight Director on Marnie I was tasked with choreography and setting of a number of unarmed fights throughout the show. This was also one of the first shows where I worked as Intimacy co-ordinator, which required setting scenes of sexual violence.
After a successful run in London, Marnie went on to run at the Met in New York.
